Resonance — where it appears
Named by 23 essays across one field — each of them below, with the objects they name alongside it.
The only thing that stops it
Drive a structure at its own frequency and the amplitude grows without limit unless something takes energy out. What takes it out is damping, and damping is the one structural property that is never designed, never drawn, and never known until the thing is built.
The floor that is strong and unusable
A floor can satisfy every strength check, deflect less than the limit, and still be rejected by the people who work on it — because somebody walking across it at two steps a second happens to be exciting it at exactly the rate it likes to move.
The wind is a spectrum
A wind load is quoted as a pressure, which suggests something steady. It is not — the energy is spread across four decades of frequency, almost all of it in gusts lasting minutes, and a tall building takes ninety per cent of its response from the sliver of that energy sitting at its own frequency.
The wind that brings its own frequency
Every other load in this subject arrives at whatever rate it happens to arrive at. Vortex shedding arrives at a rate set by the wind speed — so for any chimney, mast or cable there is always a wind speed at which the shedding matches the structure exactly, and it is a breeze rather than a storm.
The mass that helps by being late
Hang three per cent of a building's mass from a spring in its roof, tune the spring so the mass arrives a quarter-cycle behind the motion, and the peak response falls by a factor of seven. Nothing was strengthened and nothing was stiffened.
The machine that shakes the building
Put a machine on springs to keep its vibration out of the floor, and below a frequency ratio of root two the springs make things worse. Every transmissibility curve ever drawn passes through exactly one at that ratio, whatever the damping — so a soft mount either works well or fails badly, with nothing in between.
The train that arrives in time with itself
A single load crossing a span is a mild problem. A train is not one load — its axles are regularly spaced, so the forcing has a frequency of its own, and where a multiple of it lands on the bridge's frequency each coach arrives exactly in step with the motion the last one left behind.
The ground has a period of its own
An earthquake is measured on rock and felt on soil, and between the two is a layer that behaves exactly like a structure — a column fixed at bedrock, free at the surface, with a fundamental period of four times its depth over its shear wave velocity and a set of odd harmonics above it. The motion a building receives is the rock motion through that filter, and the filter is sharp.
The resonance that ran out of time
A resonance amplifies by one over twice the damping, which for a lightly damped structure is fifty or a hundred. That is a steady-state answer and it takes time to arrive — with a time constant containing the same small damping — so nothing that sweeps through a resonance ever collects all of it, and past a certain rate the peak reached stops depending on the damping at all.
The spectrum a floor hands on
Most of what breaks in an earthquake is not the structure. It is a transformer, a chiller, a rack, a ceiling, a pipe — and every one of them is bolted to a floor rather than to the ground. The motion it feels has already been through a filter with one very sharp tooth in it.
The damper that is too near the end
A stay cable has almost no damping of its own, so it is given a damper — and the damper cannot go where the motion is, because the middle of a two-hundred-metre stay is a hundred metres above the road. What it can supply is then decided by one length, and no amount of damper changes it.
The damping that is radiated
Every response in this field is quoted with a damping assumption attached, because damping is measured rather than designed and the measurement has a factor of two in it. A machine block on the ground is the exception: its damping is not dissipation at all, and it can be computed from three numbers none of which is a material property of anything that dissipates.
The frequency below both checks
A machine block is checked for sway and for rocking as if they were two oscillators, each with its own spring, its own radiation damping and its own natural frequency. A block whose mass sits above its base is one oscillator with two modes, and neither of them is a sway or a rocking — one sits below both checks, one above both, and the lower one is where the machine resonates.
The line of ties that stops short
Cross-ties are the one intervention on a stay cable that changes its frequencies rather than damping them, and the usual account says they lift the stays out of the range that excites them. A line of ties that is not anchored to anything cannot lift the first frequency above the shortest stay's own, however stiff the ties are made. What lifts it is carrying the line to the deck.
The crowd that is also the structure
A crowd jumping to music loads a grandstand with harmonics several times those of walking, and nothing about their size is measured: they follow from a pulse that has to average one body weight. But the people who jump arrive with the people who sit, and the seated crowd is mass, stiffness and damping bolted to the stand. It lowers the worst case by a factor of five and makes the most common jumping rates worse.
The stay shaken along its own length
A deck that moves at a stay's anchorage pushes nothing across the stay. It stretches the stay along its own line and lets it go again, so the tension swings, and at twice the stay's frequency that swing drives the stay with no sideways force at all. Whether the swing grows is one comparison — a quarter of the tension swing against the damping ratio — and it is a comparison the capped damper wins.
The damping that comes through the sides
A machine block set into the ground is held at its sides as well as its base, and the side soil does two things at once. It lifts the height at which the ground's resistance acts toward the block's centre of mass, which weakens the coupling between sway and rocking without ever removing it. And it radiates, which is what actually flattens the resonance — so the quiet an embedded block promises rests on the stiffness of backfill nobody measured.
The twist the combination rule invents
Two modes close together respond together, and the square root of the sum of squares assumes they do not. The error has the sign of the two modal contributions: where they agree, as they do in base shear, the rule comes up short, and where they oppose, as they always do in torque, it comes up long — by a factor of five for a floor whose stiffness sits twenty centimetres off its mass, a torque the building does not have.
The damping that belongs to no mode
Give every mode its own damping ratio and throw the rest of the damping matrix away, and an isolated building's periods and damping come out right to within a fifth of a per cent. Its storey drift at the superstructure's frequency comes out six times too small. The bearings' dashpot pushes on both modes at once, and the more of it there is the less extra damping buys: the classical analysis promises the drift keeps falling, and it stops.
The top floor the bearings shake
On a building of several storeys, the damping at the isolation bearings is tied less tightly to each higher structural mode than to the one below. It still does more harm in each, because the ground barely reaches those modes on its own. The error the usual analysis throws away gathers in the upper storeys, and past about a third of critical damping at the bearings the roof shakes harder while the analysis says it is still helping. How much damping is best depends on how tall the building is.
The rock that sends the waves back
A machine block on the ground is damped by the waves it launches, and a half-space lets them all escape. Put rock four and a half metres down and none of them can: below the soil layer's own lowest frequency there is no wave that travels, and a vertical mode damped at 47 per cent of critical keeps the soil's own 5. Its resonance grows fivefold, and the heavy block the textbook rule recommends is the one that loses its damping on the deepest ground.
The actuator that arrives late
A tuned mass damps a structure because its force arrives a quarter of a cycle behind the motion. Replace the mass with an actuator told to push against the structure's velocity, and the same quarter-cycle is fatal: the push that was damping becomes stiffness, the stiffness becomes a source of energy, and a gain that would have cut the response tenfold makes the structure vibrate by itself. The delay is a few hundredths of a second, which is nothing to a tower and everything to a floor.
The actuator that pushes against the mass
An actuator that damps a structure by feeding back its velocity has to push against something. Against the ground, it is stable up to large gains until a delay of a quarter period removes its damping. Against a tuned mass — the arrangement meant to keep a passive damper underneath — the same feedback goes unstable at a gain of a per cent and a half with no delay at all, makes the structure worse than the passive mass at every gain below that, and drives the mass three or four times as far. What limits it is not when it acts but what it pushes against.
Named alongside it
The objects these essays reach for when they reach for this one.
DampingNatural frequencyMode shapeModal massServiceabilityNatural periodVibration isolationMachine foundationRadiation dampingBase isolationCable dynamicsDamping ratio