Natural frequency — where it appears
Named by 13 essays across 2 fields — each of them below, with the objects they name alongside it.
The period nobody chose
Every structure has a natural period, it decides the answer to every question in this field, and no drawing anywhere records it. It is a consequence of a mass picked for one reason and a stiffness picked for another — and it has already been computed, by the serviceability check.
The floor that is strong and unusable
A floor can satisfy every strength check, deflect less than the limit, and still be rejected by the people who work on it — because somebody walking across it at two steps a second happens to be exciting it at exactly the rate it likes to move.
Stiffer than the model said
Measured natural frequencies of finished buildings come out between ten and sixty per cent above the values computed for them, consistently and in one direction only. Nothing on the list of reasons is a modelling error: every one is a real source of stiffness deliberately left out — and leaving stiffness out is conservative for deflection and unconservative for vibration.
The damping that is radiated
Every response in this field is quoted with a damping assumption attached, because damping is measured rather than designed and the measurement has a factor of two in it. A machine block on the ground is the exception: its damping is not dissipation at all, and it can be computed from three numbers none of which is a material property of anything that dissipates.
The frequency below both checks
A machine block is checked for sway and for rocking as if they were two oscillators, each with its own spring, its own radiation damping and its own natural frequency. A block whose mass sits above its base is one oscillator with two modes, and neither of them is a sway or a rocking — one sits below both checks, one above both, and the lower one is where the machine resonates.
The line of ties that stops short
Cross-ties are the one intervention on a stay cable that changes its frequencies rather than damping them, and the usual account says they lift the stays out of the range that excites them. A line of ties that is not anchored to anything cannot lift the first frequency above the shortest stay's own, however stiff the ties are made. What lifts it is carrying the line to the deck.
The crowd that is also the structure
A crowd jumping to music loads a grandstand with harmonics several times those of walking, and nothing about their size is measured: they follow from a pulse that has to average one body weight. But the people who jump arrive with the people who sit, and the seated crowd is mass, stiffness and damping bolted to the stand. It lowers the worst case by a factor of five and makes the most common jumping rates worse.
The stay shaken along its own length
A deck that moves at a stay's anchorage pushes nothing across the stay. It stretches the stay along its own line and lets it go again, so the tension swings, and at twice the stay's frequency that swing drives the stay with no sideways force at all. Whether the swing grows is one comparison — a quarter of the tension swing against the damping ratio — and it is a comparison the capped damper wins.
The damping that comes through the sides
A machine block set into the ground is held at its sides as well as its base, and the side soil does two things at once. It lifts the height at which the ground's resistance acts toward the block's centre of mass, which weakens the coupling between sway and rocking without ever removing it. And it radiates, which is what actually flattens the resonance — so the quiet an embedded block promises rests on the stiffness of backfill nobody measured.
The rock that sends the waves back
A machine block on the ground is damped by the waves it launches, and a half-space lets them all escape. Put rock four and a half metres down and none of them can: below the soil layer's own lowest frequency there is no wave that travels, and a vertical mode damped at 47 per cent of critical keeps the soil's own 5. Its resonance grows fivefold, and the heavy block the textbook rule recommends is the one that loses its damping on the deepest ground.
The blow that has no frequency
A forge hammer does not shake its foundation; it strikes it. The transmissibility curve every isolation design is drawn on has nothing to say about a blow, and the rules it teaches mislead. The force a struck block passes to the ground is least at a quarter of critical damping, not the most; five per cent and forty-seven pass almost the same; and the springs that soften every blow can bring the block down to the hammer's own rate and make a train of blows ring four times as high as one.
The pad that makes the blow worse
A forge hammer's anvil sits on a pad on its foundation block, and the pad looks like isolation: a spring between the blow and everything below it. For the block it is the opposite. Every pad an anvil can sit on makes the block move more than a rigid seat would, by half again when the pad is tuned near the foundation, and what the pad buys instead is a smaller force under the anvil. The hope that a tuned pad could act as a tuned mass works only against a train of blows, and only at a softness the anvil cannot live with.
The actuator that arrives late
A tuned mass damps a structure because its force arrives a quarter of a cycle behind the motion. Replace the mass with an actuator told to push against the structure's velocity, and the same quarter-cycle is fatal: the push that was damping becomes stiffness, the stiffness becomes a source of energy, and a gain that would have cut the response tenfold makes the structure vibrate by itself. The delay is a few hundredths of a second, which is nothing to a tower and everything to a floor.
Named alongside it
The objects these essays reach for when they reach for this one.
DampingResonanceVibration isolationDamping ratioModal massMode shapeRadiation dampingServiceabilityDynamic amplificationFloor vibrationMachine foundationRocking