Continuous restraint — where it appears
Named by 5 essays across one field — each of them below, with the objects they name alongside it.
Also named here as u-frame — the same set of essays touches all of them, so they are one junction rather than several.
Held everywhere, and it forgets its length
A brace at a point divides a member's buckling length. A restraint spread along the whole member does something else — the member chooses its own number of half-waves, and past a few of them the critical load stops depending on the length at all.
The buckle that will not spread out
A compression chord on a continuous restraint chooses its own number of half-waves and forgets how long it is. Give it the force it actually carries — a parabola, largest at midspan — and the number barely moves while the shape changes completely, which is the half that decides where the restraint has to be.
A row of frames is not a foundation
The top chord of a half-through girder is held sideways by U-frames, and the standard calculation smears them into a continuous elastic foundation. That is right while the frames are close and quietly wrong once they are not. The crossover sits at seven-tenths of the buckle's own half-wavelength, whatever the frames' stiffness — and beyond it the chord buckles between frames at a load no stiffening of the frames can raise.
What the frames hold is the bow
A row of U-frames is sized for a force, and the rules give that force as a percentage of the compression chord's force that nobody derives. Derived, it is not a property of the frames at all. It is the chord's initial bow, grown by how near the chord works to buckling — and it is least, not greatest, near the stiffness at which the chord stops using the frames. Stiff frames tend to a limit that is π²/500 of the chord force: the familiar two per cent, arriving from a bow of one five-hundredth.
The frames the deck pushes first
A half-through girder's U-frames are the ends of the cross-girders that carry its deck. Load the deck and every cross-girder sags, its ends rotate, and every frame's foot swings inward by millimetres before the compression chord has asked the frames for anything. It looks like a second imperfection on top of the chord's bow. It is a much weaker one: the frames all move together and the chord simply goes with them, so a 7.5 mm push adds 1.4 kN to frames that the bow loads with 13.6, and stiffer frames make it smaller, not larger. What the push leaves is mostly in the frames' own members, not in what they ask of the chord.
Named alongside it
The objects these essays reach for when they reach for this one.
U-frameBracingBucklingElastic foundationImperfectionAmplificationCritical loadEffective lengthEigenvalueHalf-wavelengthMode shapeSecond-order