Viscous damper — where it appears
Named by 8 essays across one field — each of them below, with the objects they name alongside it.
The damper that is too near the end
A stay cable has almost no damping of its own, so it is given a damper — and the damper cannot go where the motion is, because the middle of a two-hundred-metre stay is a hundred metres above the road. What it can supply is then decided by one length, and no amount of damper changes it.
The stay shaken along its own length
A deck that moves at a stay's anchorage pushes nothing across the stay. It stretches the stay along its own line and lets it go again, so the tension swings, and at twice the stay's frequency that swing drives the stay with no sideways force at all. Whether the swing grows is one comparison — a quarter of the tension swing against the damping ratio — and it is a comparison the capped damper wins.
The damper that ends up as a joint
A damper across the gap between two buildings acts on exactly the motion the gap is sized for, and it can be sized for two different things. The size that takes the most energy out of the pair still lets the buildings collide. The size that keeps them apart has nearly stopped moving: it has joined them into one building, and the stiffer of the two pays for it in drift.
The deck that forgets its own rhythm
A deck at twice a stay's frequency grows the stay whenever a quarter of the tension swing beats the damping. But a deck pushed by gusts is not a sine: its amplitude comes and goes and its phase drifts, and it holds a rhythm for seconds where the stay needs minutes to answer one. Against that deck the requirement is not a quarter of the swing but its square over sixteen times the deck's own damping — a sixth of the sine's at service, and a number set by how much the deck remembers rather than by how far it moves.
The filler that knows how fast it is hit
A filler graded through its depth meets the small collisions softly and the hard one with a strong layer that has to be very strong, because every kilojoule the soft layer misses must be absorbed in less depth. A filler whose strength rises with the speed it is crushed at ranks collisions by speed instead, with no layers at all, and treats the middling collisions better than grading does. But it meets every collision hardest at its first instant, when the crushing speed is greatest, and a force that falls as the collision proceeds needs a higher peak to absorb the same energy in the same depth. A purely viscous filler that stops the hardest collision in 24 mm hits it with exactly twice the force of a uniform one.
The damper is only as good as its brace
A viscous damper added to a frame is held by a brace, and the brace is a spring in series with it. That pair has a ceiling: the most damping it can add is (√(1+κ) − 1)/2, κ being the brace's stiffness over the frame's, reached at one damper size and lost on either side of it. A brace as stiff as the frame allows 20.7%; a quarter as stiff, 5.9%. A damper larger than the best one is not better — it strokes less, locks, and turns the brace into a strut that moves the resonance instead of flattening it.
The damper sized for the earthquake
A fluid damper whose force goes as its velocity to the power 0.3 is chosen because it caps the force a large earthquake can push through its brace. The same exponent makes its effective size depend on how far it strokes. Sized to its brace's best at the earthquake's amplitude, it adds 20.7% of critical damping there, 5.4% at three-tenths of it, and nothing at all at a tenth — where the brace has locked, the building is stiffer, and the motion its occupants feel meets a resonance that is as sharp as an undamped frame's. Giving half the brace to a linear damper keeps 9.3% under the wind for 1.2 points at the earthquake.
The lever that moves the damper and not the band
A damper whose force goes as a low power of its speed is sized for the earthquake and locks in the wind. A toggle or scissor linkage multiplies its stroke, and it seemed it might move the band of amplitudes the damper serves down towards the wind. It cannot. Behind a lever of ratio f the same damper acts on the storey as one f to the power 1 + α larger, so its band moves up, not down; re-sized to the design amplitude, it gives the storey exactly the curve it had without the lever, and what has changed is the damper — a quarter of the size, a third of the force, three times the stroke. What would widen the band is a ratio that grows with the motion, and a toggle has one — until its links lie straight and it locks.
Named alongside it
The objects these essays reach for when they reach for this one.
DampingResonanceBraceCable dynamicsEnergy dissipationNatural periodStay cableEigenvalueFatigueLoss factorModal dampingMode shape