Tuned mass damper — where it appears
Named by 5 essays across one field — each of them below, with the objects they name alongside it.
The bridge that was pushed by its own sway
A crowd walking on a bridge that moves sideways adjusts its footing to stay balanced, and the adjustment pushes the bridge the way it is already going. The crowd is a damper with the sign reversed, and past a certain number of people the total damping is negative.
The mass that helps by being late
Hang three per cent of a building's mass from a spring in its roof, tune the spring so the mass arrives a quarter-cycle behind the motion, and the peak response falls by a factor of seven. Nothing was strengthened and nothing was stiffened.
The pad that makes the blow worse
A forge hammer's anvil sits on a pad on its foundation block, and the pad looks like isolation: a spring between the blow and everything below it. For the block it is the opposite. Every pad an anvil can sit on makes the block move more than a rigid seat would, by half again when the pad is tuned near the foundation, and what the pad buys instead is a smaller force under the anvil. The hope that a tuned pad could act as a tuned mass works only against a train of blows, and only at a softness the anvil cannot live with.
The actuator that arrives late
A tuned mass damps a structure because its force arrives a quarter of a cycle behind the motion. Replace the mass with an actuator told to push against the structure's velocity, and the same quarter-cycle is fatal: the push that was damping becomes stiffness, the stiffness becomes a source of energy, and a gain that would have cut the response tenfold makes the structure vibrate by itself. The delay is a few hundredths of a second, which is nothing to a tower and everything to a floor.
The actuator that pushes against the mass
An actuator that damps a structure by feeding back its velocity has to push against something. Against the ground, it is stable up to large gains until a delay of a quarter period removes its damping. Against a tuned mass — the arrangement meant to keep a passive damper underneath — the same feedback goes unstable at a gain of a per cent and a half with no delay at all, makes the structure worse than the passive mass at every gain below that, and drives the mass three or four times as far. What limits it is not when it acts but what it pushes against.
Named alongside it
The objects these essays reach for when they reach for this one.
DampingResonanceDamping ratioDynamic amplificationMode shapeNatural frequencySelf-excitationActive controlCollocationCrowd loadingDetuningFeedback