Sloshing — where it appears
Named by 6 essays across one field — each of them below, with the objects they name alongside it.
The liquid has a period of its own
Shake a tank and its contents do not all go with it. Part of the liquid moves as though it were bolted to the wall and part sloshes at a period fixed by gravity and the radius, which the tank's stiffness has no influence over whatever. The split is decided by one proportion, and the two parts then take entirely different amounts of the earthquake.
The tank that sloshes the tower
On the ground a tank's liquid splits into a part that moves with the wall and a part that sloshes at its own long period, and the two answers can be added afterwards because they are orders apart. Lift the tank onto a tower and the tower's period moves up towards the sloshing period, the two masses stop being separate, and the system has two modes that belong to neither. Adding the ground answers then overstates the base shear by a third, treating the water as solid by as much again, the wave grows by half, and a flexible tower is worst with the tank about five-sixths full.
The water tower that could damp itself
A full water tower's sloshing water is a second mass on a spring, hung from the container at very nearly the tuning a designed tuned-mass damper would be given, and it weighs two-fifths as much as what it hangs from. Plain water has half a per cent of damping, so it splits the tower's resonance into two sharp peaks and helps nothing. A screen across the tank that gives it a tenth makes the water a damper: the tower's rms base shear falls to four-tenths of what it would be with the water frozen, and the same screen keeps working as the town empties the tank.
The tank that is its own tower
A standpipe holds its water in its own shaft, so the water fills a height several times its width. Only a lens of it near the surface sloshes — 0.455ρπR³, 178 t of the 2,199 t in a steel standpipe 10 m across and 30 m tall — and that lens stops growing once the water is deeper than a radius, so its period is set by the width alone: 3.3 s, against the shaft's 0.38. The lens is 8% of the water but a quarter of the shaft's moving mass, because it sits where the shaft moves most. It is far too slow to be tuned as a damper, and a screen can do little with it; what it does instead is stay still while the shaft sways, which takes nearly a fifth off the drift a frozen-water calculation predicts.
The tank that must be shallow to be slow
A deep tank's sloshing period is set by its width alone, so a tank in a tall building's core ought to be tuned by choosing how wide to make it. It cannot be. A deep tank fast enough to fit is too fast for the building: 3.6 s for a core 10 m across, where a 5 s building would need a tank 19.5 m long and an 8 s one 50 m. The depth has to tune it, and only shallow water is slow — 1.73 m for 5 s, 0.63 m for 8. Shallow water is the efficient kind, with four fifths of it sloshing. But at the accelerations the tank exists to reduce, the wave it makes is a quarter of its depth on a 5 s building and seven tenths on an 8 s one, and the linear tuning it was designed by has stopped describing it.
The tank that follows the building
A sloshing damper is tuned to a period computed before the building exists, and the building that is built has another one — stiffer at handover, with its partitions and cladding working, softer once its concrete has cracked. A tank whose plan is fixed and whose period is set by its depth can be brought back by opening a valve. Ten per cent off tune, the tank left alone lets the building's peak response more than double; pumped back to the right depth, it holds within a tenth of the design value, and the water it gains or loses barely matters. What does matter is that a slower building needs shallower water, and in shallow water the wave the damper is made of grows towards the depth it is sloshing in.
Named alongside it
The objects these essays reach for when they reach for this one.
Convective massNatural periodTuned mass damperDampingImpulsive massModal massMode shapeResonanceBase shearFreeboardMass ratioResponse spectrum