Modal analysis — where it appears
Named by 10 essays across 2 fields — each of them below, with the objects they name alongside it.
A structure has more than one period
One mass on one spring has one period. A building with eight floors has eight, each with a shape of its own, and the second one bends the building into a curve nobody drew. They are not harmonics, they do not interfere, and each behaves as though the others were not there.
Most of the mass moves together
A sixteen-storey frame has sixteen modes, and the first one carries eighty-four per cent of the mass. That is why a hand calculation on one mode gets the base shear right to within a tenth — and why the same calculation gets the acceleration at roof level wrong by a factor of two.
The modes that were left out
Nobody runs every mode a model has, and the rule for how many is a mass count — enough to account for ninety per cent of the structure. The rule is written in the one quantity that converges fastest. On a twenty-storey frame two modes give the base shear to within one per cent and the force in the top storey to within twenty.
The pattern that stopped describing the building
A pushover analysis pushes with a load pattern chosen to resemble the first mode, and by the time the structure has done anything worth analysing it no longer has that mode. Recomputing the pattern as the frame softens changes the base shear by nine per cent and the drift at the fourth floor by a factor of four.
The twist the combination rule invents
Two modes close together respond together, and the square root of the sum of squares assumes they do not. The error has the sign of the two modal contributions: where they agree, as they do in base shear, the rule comes up short, and where they oppose, as they always do in torque, it comes up long — by a factor of five for a floor whose stiffness sits twenty centimetres off its mass, a torque the building does not have.
The damping that belongs to no mode
Give every mode its own damping ratio and throw the rest of the damping matrix away, and an isolated building's periods and damping come out right to within a fifth of a per cent. Its storey drift at the superstructure's frequency comes out six times too small. The bearings' dashpot pushes on both modes at once, and the more of it there is the less extra damping buys: the classical analysis promises the drift keeps falling, and it stops.
The top floor the bearings shake
On a building of several storeys, the damping at the isolation bearings is tied less tightly to each higher structural mode than to the one below. It still does more harm in each, because the ground barely reaches those modes on its own. The error the usual analysis throws away gathers in the upper storeys, and past about a third of critical damping at the bearings the roof shakes harder while the analysis says it is still helping. How much damping is best depends on how tall the building is.
Two modes that are really a plane
A building equally stiff in both directions has two translational modes with one period, and they are not a pair of shapes but a whole plane of them. The pair an analysis returns is chosen by asymmetries of a millionth, so any result that depends on the pair — a square-root combination, a comparison with measured modes — inherits a choice the building never made. Damping then decides whether the difference can be seen at all.
What a mode shape notices that a frequency does not
Take a tenth of the stiffness out of one storey of a ten-storey building and its first frequency falls by a per cent at most, and by almost nothing if the storey is near the top. The mode shape looks unchanged, its match to the old one 0.99997. But the mode's storey drift — its curvature — rises by about a tenth in the damaged storey and hardly anywhere else, wherever that storey is. The instrument that sees the damage is the one almost nobody installs.
The factor of two belongs to one mode
A member that fails suddenly hands its force to the structure around it all at once, and the convention is to double the static answer: a load applied suddenly to a spring overshoots to twice its static deflection. A truss is not one spring. Take a diagonal out of a counter-braced truss in an instant and some members swing to three times their change of force, one swings the wrong way first, and a bottom chord whose force does not change at all passes through half as much again as it carries — because every mode overshoots by two, at its own time, and a member is a sum of modes.
Named alongside it
The objects these essays reach for when they reach for this one.
Mode shapeNatural periodOrthogonalityDegrees of freedomEigenvalueDampingModal massSoft storeyFrequency responseResonanceResponse spectrumStiffness matrix