Stressed ribbon — the series
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The deck that is its own cable
Every other cable structure hangs something from the cable. A stressed ribbon hangs nothing — the walking surface is the catenary, laid at a fiftieth of the span rather than a tenth, because a footbridge has to be walkable. That one decision hands the abutments six and a quarter times the entire weight of the bridge.
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The pier that carries only the difference
A stressed ribbon continued over a pier pulls on it from both sides, and under its own weight the two pulls cancel. Load one span and they do not: the pier is asked for the difference, nearly ten meganewtons for a crowd on one of two hundred-metre spans. Whether it gives it depends on its stiffness against a number the ribbon supplies itself, and whatever the pier does not carry, the ribbon turns into movement — a third of a metre of extra sag in the loaded span and a fifth of a metre of rise in the empty one.
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The tendon that pulls before the deck arrives
A stressed ribbon is hung one span at a time, and the obvious fear is the stage at which one span carries its deck and the next does not: the pier between them asked for a whole span's thrust. It is not asked for that, because tendons cut to the finished length are already stretched across the empty span and pulling. For two 100 m spans at a fiftieth, the rigid pier's stage force is 4,109 kN against a crowd's 9,440 — unless the tendons were sized generously, when the stage overtakes the crowd.
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The strand in the sun beside the strand in the shade
Halfway through hanging a stressed ribbon, one span is a sagging cable full of segments and the next is bare tendon stretched nearly straight, and the pier between them carries the difference of their pulls. A warm day takes tension off both — and at the flat sag a ribbon is laid at, the hung span is so nearly all stretch that it loses three quarters of what the bare one does. What moves the pier is not the weather but the shade: strand in the sun beside strand under concrete, 35 kN on the pier for every degree between them. No sun slackens the bare tendon. The hour does change something else, which is the level the joints are cast at.
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The span cast in the afternoon
A stressed ribbon's joints are cast on whatever day the programme reaches them, and a span cast on a warm afternoon sets around strand that has lengthened in the sun. It cools that night as a concrete band eleven times stiffer than the strand, and the band does not stretch back as the strand would have. On a ribbon with a sag of 2 per cent, a span cast 20 °C warmer than its neighbour ends 72 mm higher than it was set and leaves 713 kN on the pier between them — a seventh of what a crowd on one span puts there. On a flatter ribbon the same afternoon costs more than the crowd. The difference between the two spans is the strand's flexibility against the band's, and only the elastic part of it differs; the part that comes from the sag is the same for both.