Which floor frequencies a 2 Hz pace punishes
Which floor frequencies a 2 Hz pace punishes. The response factor of a floor of 12 tonnes modal mass and 3.0% damping, against its own natural frequency, under a walker at 2 steps per second. The peaks are at 2, 4, 6, 8 Hz — the harmonics of the pace — and they fall away sharply: four peaks, each smaller than the one below it, because the harmonics of walking get smaller. A floor at 2 Hz reaches R = 31 and one at 8 Hz reaches 6. Between them the floor is quiet.
6 essays call
floor-response. The drawing above is what it returns with no arguments at all; every
call below passes it something, because a placement that passes nothing draws whichever
member of the family the generator happens to default to rather than the one its essay
argues about.
Where it is called
Changing this generator changes every one of these figures.
The floor that is strong and unusable
A floor can satisfy every strength check, deflect less than the limit, and still be rejected by the people who work on it — because somebody walking across it at two steps a second happens to be exciting it at exactly the rate it likes to move.
The bridge that was pushed by its own sway
A crowd walking on a bridge that moves sideways adjusts its footing to stay balanced, and the adjustment pushes the bridge the way it is already going. The crowd is a damper with the sign reversed, and past a certain number of people the total damping is negative.
Stiffer than the model said
Measured natural frequencies of finished buildings come out between ten and sixty per cent above the values computed for them, consistently and in one direction only. Nothing on the list of reasons is a modelling error: every one is a real source of stiffness deliberately left out — and leaving stiffness out is conservative for deflection and unconservative for vibration.
The spectrum a floor hands on
Most of what breaks in an earthquake is not the structure. It is a transformer, a chiller, a rack, a ceiling, a pipe — and every one of them is bolted to a floor rather than to the ground. The motion it feels has already been through a filter with one very sharp tooth in it.
The crowd that is also the structure
A crowd jumping to music loads a grandstand with harmonics several times those of walking, and nothing about their size is measured: they follow from a pulse that has to average one body weight. But the people who jump arrive with the people who sit, and the seated crowd is mass, stiffness and damping bolted to the stand. It lowers the worst case by a factor of five and makes the most common jumping rates worse.
The pipe held at every floor
A riser runs the height of a building and is fixed at every floor, so each of its supports moves with a different floor. The floor spectrum prices the pipe's inertia, and for a pipe anchored at every floor the inertia is nearly irrelevant: the drift puts 131 N/mm² into a 100 mm riser at two thirds of a per cent, thirty times its inertia, and passes yield at 200 mm. Guide the same pipe instead of anchoring it and the drift almost vanishes — the pipe then feels only how much the drift changes from one storey to the next.