Generator

The count is necessary and not sufficient

Rendered here at the parameters it defaults to, with every essay that calls it — which is the same list as the blast radius of changing it.
The count is necessary and not sufficient. Two pin-jointed frames, each satisfying m + r = 2j exactly. One of them folds anyway, because the equations are not independent; the ghosted outline is the motion that costs no member any change of length, drawn at an exaggeration of 0.55 of the span.

The count is necessary and not sufficient. Two pin-jointed frames, each satisfying m + r = 2j exactly. One of them folds anyway, because the equations are not independent; the ghosted outline is the motion that costs no member any change of length, drawn at an exaggeration of 0.55 of the span.

6 essays call critical-form. The drawing above is what it returns with no arguments at all; every call below passes it something, because a placement that passes nothing draws whichever member of the family the generator happens to default to rather than the one its essay argues about.

Where it is called

Changing this generator changes every one of these figures.

The count is necessary and not sufficient. Two pin-jointed frames, each satisfying m + r = 2j exactly. One of them folds anyway, because the equations are not independent; the ghosted outline is the motion that costs no member any change of length, drawn at an exaggeration of 0.55 of the span. Equilibrium

The count that does not see it

A frame can have exactly as many unknowns as equations and fold up anyway. The count asks whether there are enough equations; it never asks whether they are different from one another.

Three legs, three equations, one answer. A rigid top on three legs carrying 120 kN at (0.3, 0.2) m. The three equilibrium equations available — one vertical and two moments — leave three unknowns, so the system is exactly determinate and the reactions are 56.8, 13.6, 49.6 kN. Move the load anywhere and the answer moves with it; nothing about the legs' stiffness enters. Equilibrium

Six equations, and the drawing shows three

Every essay so far has taken place on a piece of paper, where equilibrium is three equations and a structure is a diagram. The real object has six, the extra three are the ones nobody writes down, and the difference between three legs and four is not a matter of degree.

Take that one away and the load finds another route. A 6-panel pratt truss under 20 kN at each top node, before and after member 2 is removed. The load redistributes. The worst-affected survivor now carries 2.03 times what it did, and four members that carried nothing before are now working. Whether that is survival depends on how much spare capacity was there, which is a different question from whether the frame was strong enough. Structural form

The structure that survives losing a member

Every check in this collection asks what a structure carries. None of them asks what is left when part of it is gone — and two frames with the same members, the same weight and the same factor of safety can answer that question completely differently.

Two null spaces of one matrix, and the count is their difference. Two pin-jointed frames, each with the forces it can carry with nothing applied to it drawn on its bars — tension one colour, compression the other, thickness in proportion. That force set is the null space of the equilibrium matrix; a mechanism is the null space of its transpose; and Maxwell's count b + r − 2j is the difference of their dimensions and knows neither of them separately. A square with both diagonals has s = 1 and m = 0. Two bars in a straight line has s = 1 and m = 1 with a count of 0, so the count is satisfied by a frame that both folds and can be prestressed — and the prestress stiffness is positive, which is why a tensioned pair of collinear bars is stiff at all. Structural form

The forces that are there with nothing applied

Maxwell's count is the difference between two dimensions, and it knows neither of them separately. A frame can satisfy it exactly and still both fold and be prestressable — and when it does, the second of those is what stops the first.

Two curvatures of opposite sign, which is what makes it a structure. A cable net over a 36 m square, drawn as the two families of cables that are also the two rulings of the surface. One family sags and carries downward load by hanging; the other rises and carries upward load — wind uplift, and a load reversal anywhere — by the same mechanism upside down. Neither can do anything alone. A single family of cables is a mechanism: it changes shape freely under any load pattern it was not tensioned for, and the shape it moves to is decided by the load rather than by the designer. Put the two together and each is the other's restraint, but only if they are pulled against one another first — the pretension of 520 kN in the sagging family and 715 in the hogging one is a self-equilibrating state that exists with no load on the roof at all, and it is what turns two mechanisms into one structure. The curvatures are drawn four times their true value: a real net of this span sags 2.2 m over 36, which is flatter than it looks anywhere. Structural form

Two curvatures of opposite sign

A single family of cables is not a structure. It is a mechanism that takes whatever shape the load asks for, and it will do that under any load pattern it was not tensioned for. Cross it with a second family curved the other way, pull the two against each other, and the pair becomes stiff — with no bending anywhere and no material property involved in the stiffness at all.

Every level added is a longer span, not a shorter one. Steel per square metre of floor against the number of levels in the hierarchy, for a 12 m bay with a deck that can span 3.0 m. A bending level's weight per unit area is 3ρqrL/8σ — it contains the SPAN and not the spacing — so breaking a floor into more levels cannot make the members lighter by making them closer together. It adds one more system, and the last system always spans the whole bay: a second level costs 52 per cent more steel than one, and a third 107 per cent. The structural zone grows with it, 730 mm to 1346 mm. Hierarchy is not an economy, it is a way of reaching, and it is paid for in both currencies at once. Structural form

Every level is a longer span

A floor is a hierarchy — deck to joists to beams to girders — and the reason usually given is that breaking a long span into short ones saves material. A bending level's weight per square metre contains its span and not its spacing, so it does not.

The library, page 1 of 7 — where critical-form sits